Nimona, Noelle
Stevenson
Harper Teen|18th June
2015 |purchased
Synopsis
Nemeses!
Dragons! Science! Symbolism! All these and more await in this brilliantly
subversive, sharply irreverent epic from Noelle Stevenson.
Nimona
is an impulsive young shapeshifter with a knack for villainy. Lord Ballister
Blackheart is a villain with a vendetta. As sidekick and supervillain, Nimona
and Lord Blackheart are about to wreak some serious havoc. Their mission: prove
to the kingdom that Sir Ambrosius Goldenloin and his buddies at the Institution
of Law Enforcement and Heroics aren’t the heroes everyone thinks they are.
But
as small acts of mischief escalate into a vicious battle, Lord Blackheart
realises that Nimona’s powers are as murky and mysterious as her past. And her
unpredictable wild side might be more dangerous than he is willing to admit.
Review
I actually didn’t really know
what Nimona was about until I started
reading it. I picked it up purely on the praise on Twitter and Goodreads!
Nimona is a brilliant heroine.
She’s bolshy and clever and consistently underestimated. Nimona is particularly
skilled at villainy and when she teams up with supervillain Lord Blackheart,
who’s a surprisingly moral supervillain, they get a little out of control. And
yet Nimona is still underestimated as ‘a little girl’. There’s a lot of mystery
around Nimona – where she's from? Who she is? What is she capable of? I really
can't answer any of these questions without major spoilers so I’ll just say
that Nimona is a story of feminism,
stereotypes, heroes and villains that is funny, sharp and gorgeously
illustrated. Go and read it.
Image
Comics|15th September 2015 |purchased
Synopsis
While
Gwendolyn and Lying Cat risk everything to find a cure for The Will, Marko
makes an uneasy alliance with Prince Robot IV to find their missing children,
who are trapped on a strange world with terrifying new enemies.
Review
Every new
trade of this series is an event for me and the long awaited Volume 5 was no exception.
There is
a lot of focus on war and parenthood in the issues that comprise this volume.
Alana, Marko and Hazel have been separated, Prince IV’s son has been kidnapped
and Sophie, The Brand and Gwendolyn are searching for the – rather disgusting –
cure for The Will. Everyone is fighting for the people they love in this
instalment and there are some incredibly poignant moments about loss, sacrifice
and love during war. There are also a few surprising panels on the effect on
women, and I say surprising because this isn’t what I'd really call a feminist
comic – though it does have some incredibly, badass protagonists.
Because
of all of the searching, there wasn’t as much plot-wise as there was in the
previous instalments. It was all action and reflection and some important
flashbacks into Marko’s past. I was really surprised at some of the things
revealed about his past and it only went to develop his character in the same
way that Alana’s experiences developed her in the previous volume. It doesn’t
seem to matter what terrible things these characters do or have done, I love
them endlessly.
Volume 5 wasn’t
quite as mind-blowing as the previous trades, but it was still a thoroughly
brilliant addition to a wonderful series. I want more already.
The Pied Piper of Hamelin, Russell
Brand
Canongate|1st October
2015 |review copy
Synopsis
They
say cometh the hour
Cometh
the man
That
means wen a situation demands it, the right person – it could be a woman,
despite what Sexist Dave would tell you – will appear. This was the hour and in
this case the man was a Piper. A Pied Piper.
Welcome
to Russel Brand’s Hamelin, where revolution is afoot…
Review
I was really disappointed by
everything about this apart from Chris Riddell’s illustrations.
This is a strange combination of
graphic novel and children’s book and I honestly don’t know which it is more. It
has an obvious, in-your-face political agenda; uses words kids won't understand
and then explains them in the narrative;
and the characters the story focuses are the adults, even though it’s clearly
meant to be the kids. I was hoping for something witty and satirical and clever
and it just wasn’t.
But Chris Riddell knocked it out
of the park as ever. His illustrations were cute, gruesome, funny and full of
life – they were the only thing I kept reading for and he earned this book the two
stars I gave it on Goodreads! It should have been a straight up, no text
picture book. It would have shone.
The
Pied Piper of Hamelin
just didn’t work for me. It tried too hard to be something it wasn’t and maybe I
would have enjoyed it more if Russell Brand had let it come together
organically instead of forcing an audience and agenda.
Thanks to Canongate for the
review copy of this.
Sophie
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